DIOR MAN SHOW WINTER 18-19

THE DIOR MAN COLLECTION FOR WINTER 2018-2019 CREATED BY KRIS VAN ASSCHE EXPRESSES THIS DUALITY, CAUSING A CONSTANT EVOLUTION OF FORMAL AND INFORMAL CODES THAT DEFINE MALE FASHION TODAY..

THE METICULOUS DECONSTRUCTION OF THE DIOR MAN COSTUME IN SYMBIOSIS WITH THE SYMBOLISM OF THE 90S CULTURE OF TATTOO, THUS OPPOSING THE FINISH OF THE TAILORING KNOW-HOW OF THE DIOR HOMME WORKSHOP AND THE RULES OF A CERTAIN URBAN NOSTALGIA.

IN TRIBUTE TO DIOR’S VERY BUILT TOILET, SOPHISTICATED VARIATIONS IN THE BAR JACKET BRIGHT THE HOME’S KNOW-HOW. THE JACKETS ARE SCULPTED, IN BLACK WOOL POWDER GRAIN, WITH OVERLAYS, PLATED POCKETS AND DOUBLE-BUTTONING AS OFFICER.

FACE THIS EXTREME ELEGANCE, THE TATTOO PATTERN BECOMES A GRAPHIC SYMBOL ‘RAVE’ WHICH IT FINDS OVER THE COLLECTION, IN THE FORM OF A CRASH OR PRINTED ALL OVER.

THE SUPERPOSITION IN TROMPE L’ŒIL OF POLOS IN KNITTED, TANKERS AND COLLARS ROLLED IN TONES OF GREEN PINE, PURPLE AND YELLOW FLUO IS A CLIN OF EYE IN CLOTHES TENAGER, JUXTAPOSÉ TO STRUCTURED TRENCHS AND COATS IN CASHMERE DOUBLE FACE.

ANOTHER LEVEL OF OVERLAPPING APPEARS WITH HIGH PANTS IN WOOLEN OR IN WASHED DENIM BELTED IN SHORT NYLON PARKAS, DUFFLE-COAT, WOOL SKATE JACKETS AND TECHNICAL WINDBREAKERS

THE NEW DIOR COMBO BAG CONSISTING OF SEVERAL REMOVABLE ZIPPED POCKETS, CLIPPED ON A SHOULDER STRAP, WHILE EXOTIC LEATHER BAGS HAVE A SARTORIAL TOUCH.RICHELIEUS TATTOOS IN LASER PRINTING AND UPHOLSTERED CANVAS COMES TO STRENGTHEN CONTRAST STREETWEAR VS. TAILORING, REFLECTING THIS CONSTANT DUALITY BETWEEN YOUTH AND MATURITY.

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